Brighton! Brighton! It is time to leave. The last morning at the Queen’s Hotel with its traditional British wallpaper, it’s classically fitted carpet, stepped across by thousands-and-thousands of stories. A quiet moment after the storm; a peaceful harmony follows nights of unforgettable talks, wonderous meetings, sweltering venues and, the obligatory backdrop of rain.
A bright slice of light from the window is now enlightening our table, a sensational and extraordinary seafront view shows itself off. It’s our first time at The Great Escape Festival and Conference, which is perhaps why everything appears so unique; we experience such a strong, inspiring, feeling. Something absolutely new, different, a kind of regenerating euphoria. There is something in the air, improving our perceptions, a mixture of faded gloom from the past and that positive fresh marine horizon.
Reading The Guardian’s review we agreed with its line:
“Brighton’s annual new music showcase-industry convention draws impressive numbers, with everything from rising pop acts to buzzy rappers on the bill”.
It is all part of the unexpected charm of a festival that tempers music biz hype with ramshackle, DIY spirit.
The real fun was randomly exploring the hundreds of unknown acts packed into every available space around the city. Sometimes it was too hard to get in, but, if in, always worth it. Acoustic singer-songwriters, melancholic pop, gothic 21st-century electro-pop, staged everywhere from a basement bar to the 1800 capacity Dome.
Sure, it’s always business in it for the money but thankfully, the business side of music hasn’t stopped festivals like this being as boisterously entertaining as ever.
Katia Giampaolo and Pasquale Pasco Pezzillo (Estragon, Bologna)
Affairs of the heart and the myriad ways human relationships fall apart have long been a fertile topic for artists and musicians, but the trick is to marry sombre, meaningful words with just the right tone of music. London trio Little Cub have thus far proved particularly adept at marrying their gleaming, electronic pop and shimmering anthems to stories about love, loss, and the vicissitudes of modern life; no surprise they were snapped up last year by indie powerhouse Domino Records before dropping the highly acclaimed Loveless EP.
First Breath After Coma has the refined ability to pack the world of post-rock right into regular-sized songs. Add to that a persistent need to explore new sounds and you’ve got one of Portugal’s most promising talents. The band’s latest album, Drifter, was nominated for European Independent Album of the Year by IMPALA. The band hails from Leiria and has played some of Portugal’s biggest festivals, Paredes de Coura and Primavera Sound. Internationally, they have set foot in Reeperbahn, Eurosonic and The Great Escape.
When Tanguy Haesevoets was studying in Andalusia, people had trouble pronouncing his first name, so they simply called him Tan. He kept this nickname for his music project and added another word, Témé – two syllables meaning ‘the hand’ and ‘the eye’ in ...